A Sound Idea
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Status:
Project Complete / Not Yet Marketed / CD's are not yet available
Song List: (click on titles for samples)
Title | Audio File | Lyrics | |
1 | Surreal | WMA |
N/A |
2 | Piano Ride | WMA | N/A |
3 | Strong Wind | WMA | N/A |
4 | Cathedral | WMA | N/A |
5 | Galixies | WMA | N/A |
6 | True Life | WMA | N/A |
7 | The Jungle | WMA | N/A |
8 | Adelaide | WMA | N/A |
9 | Dremas | WMA | N/A |
10 | Freelance | WMA | N/A |
11 | Terminal V | WMA | N/A |
12 | Sinisteria | WMA | N/A |
Project Description:
"A Sound Idea" was my first compilation, back in
1997. Stemmed from the fact that I had not yet acquired the means of fully
recording all of the music and songs that I wanted to, I just compiled all of
the instrumentals that I had been working on, and recorded this first CD
project.
Some of these pieces have been used in various projects by
other organizations over the past several years. However, none have made enough
to present me with any royalties yet.
My favorite piece in this compilation would have to be
"True Life" which has still remained my own personal favorite
instrumental. In listening to my music over and over again, "True
Life" has been the only one that ever gave me chill bumps when listening to
it. Specifically towards the end of the piece during the crescendo. If you have
the ability I would highly recommend listening to this piece with a really good
sound system or headphones that can give you the full bass sounds. I found the
heart beat sound throughout the piece to have some really interesting effects to
it and give it that extra feeling. But it is just not heard without a good
system.
"Surreal" ranks up there pretty close as one of my
all time favorites. But it still didn't give me chill bumps.
"Strong Wind" was an interesting production.
Although it sounds like there's a lot going on there, it was actually all done
with only one track, in one recording. I had often envisioned adding another
track, but refrained.
"Piano Ride" was kind of an accident. I was just
playing around with the background rhythm patterns and decided to see what I
could do with the piano along with it. After recording the first track, I muted
that and tried again. Now keep in mind, these two tracks were just me playing
off the top of my head, making it all up as I went along. Later, while playing
around, I accidentally combined the two piano tracks together and found them to
be quite interesting, and amusing that they went together so well. So I decided
to mix the song with the first piano track at the beginning, then the second,
and then with both of them combined to finish out the piece. I thought it came
together rather well.
"Cathedral" was a piece that actually came to me in
an amazingly realistic fantasy dream of a different world, in a different
dimension. The dream was so vivid and interesting to me that it even spawned a
book project of the same name.
When I first began learning to play the drums, like
everything, I really stunk. And, although it is still not near as good as many
of my friends' playing, "Adelaide" proved to me that I actually could
be able to play the drums. Well, eventually.
One year, I think it was back in 1994 or so, I ran home on
Halloween to get the house ready for the "trick-or-treaters" that
evening. Wanting to provide the best spooky experience possible, I ran into the
studio and threw together a bunch of weird sounds for about an hour and set
everything up to pump the eerie music out the front window into the yard and
neighborhood. I grabbed a bunch of old clothes and began stuffing them with wads
of newspapers and created a whole yard full of dummies. I was trying to figure
out what to use for heads when I decided, "Well, they don't really need
heads. That's why they're laying all over the yard." So there they were. I
spread spider webs all in the branches of the trees and turned all the Malibu
lights around to face the yard. I filled the yard with fog from a container of
dry ice. And to top it off, my cat decided to conveniently sit right in front of
one of the lights for the duration of the evening, creating a very realistic silhouette
of a cat. So my whole goal was to scare off as many children as I could, and
save more candy for myself by the end of the evening. And it actually worked to
some degree. But I never considered that the music that I threw together on such
short notice would grow on me. After listening to it over and over again, it
somehow got stuck in my brain and I grew to enjoy it.
So "Sinisteria" was born and I eventually decided
to throw it into the mix of my first "Sound Idea". Yeah, one of those
pieces that most people probably listen to and wonder, "What was this guy
thinking?" Or probably more like, "What was this guy on?"
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